{"id":18547,"date":"2025-06-15T18:43:34","date_gmt":"2025-06-15T17:43:34","guid":{"rendered":"https:\/\/www.mariusdomingo.com\/altacapa\/?p=18547"},"modified":"2025-06-15T18:44:22","modified_gmt":"2025-06-15T17:44:22","slug":"maria-jose-ripoll-hortus-conclusus","status":"publish","type":"post","link":"https:\/\/www.mariusdomingo.com\/altacapa\/?p=18547","title":{"rendered":"Maria Jos\u00e9 Ripoll | \u00abHortus conclusus\u00bb"},"content":{"rendered":"\n<p>La pintura de Maria Jos\u00e9 Ripoll s&#8217;articula com una arqueologia del paisatge interior. La seva obra, feta de l\u00ednies precises i camps de color que s\u2019articulen amb composicions geom\u00e8triques austeres, es desplega com si fossin mapes d\u2019un territori oblidat, o potser d\u2019un territori que encara no existeix. Cartografies imagin\u00e0ries que, sota l\u2019aparen\u00e7a de l\u2019ordre, amaguen una profunda inquietud per la fragilitat, per les esquerdes que tota construcci\u00f3 porta dins seu.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"702\" src=\"https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/maria-jose-ripoll-4-700x702.jpg\" alt=\"\" class=\"wp-image-18549\" style=\"width:449px;height:auto\" srcset=\"https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/maria-jose-ripoll-4-700x702.jpg 700w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/maria-jose-ripoll-4-300x300.jpg 300w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/maria-jose-ripoll-4-150x150.jpg 150w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/maria-jose-ripoll-4-768x771.jpg 768w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/maria-jose-ripoll-4-1531x1536.jpg 1531w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/maria-jose-ripoll-4-2041x2048.jpg 2041w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/maria-jose-ripoll-4-800x803.jpg 800w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n\n\n<p>Ripoll es mou en un espai de conflu\u00e8ncia, on dialoguen les formes de l\u2019abstracci\u00f3 geom\u00e8trica de les avantguardes \u2014Malevich, Mondrian, Albers\u2014 amb les po\u00e8tiques contempor\u00e0nies de l\u2019espai i la mem\u00f2ria. Per\u00f2 a difer\u00e8ncia de l\u2019ambici\u00f3 ut\u00f2pica de les primeres abstraccions, la seva pintura segueix l\u2019estela de Rothko<a href=\"#_ftn1\" id=\"_ftnref1\">[1]<\/a> quan afirmava adherir-se a la realitat de les coses i a la subst\u00e0ncia d&#8217;aquestes coses, aix\u00ed les obres d\u2019aquest \u00abHortus conclusus\u00bb sorgeixen d\u2019una mirada que observa la realitat contemplant el m\u00f3n amb esperan\u00e7a i serenor.<\/p>\n\n\n\n<p>Com afirma Jorge Luis Marzo<a href=\"#_ftn2\" id=\"_ftnref2\">[2]<\/a>, tot mapa no nom\u00e9s representa sin\u00f3 que fabrica mons, imposa lectures, modela realitats. La pintura de Ripoll sembla moure&#8217;s en aquesta frontera inc\u00f2moda: \u00e9s una construcci\u00f3, s\u00ed, per\u00f2 tamb\u00e9 una fractura, un espai on la mirada es desorienta i la superf\u00edcie pict\u00f2rica esdev\u00e9 lloc de dubte, de preguntes sense resposta.<\/p>\n\n\n\n<p>Podr\u00edem pensar les seves teles com paisatges interiors, on la llum i la mat\u00e8ria esdevenen pres\u00e8ncies latents, silencioses. Hi ha en la seva pintura una mena de sospir contingut, com el que travessa les p\u00e0gines de W. G. Sebald, on els paisatges s\u00f3n testimonis muts d\u2019hist\u00f2ries oblidades, d\u2019abs\u00e8ncies que es fan visibles nom\u00e9s en el detall, en l\u2019esquerda, en la imperfecci\u00f3 aparentment m\u00ednima.<\/p>\n\n\n\n<p>Aix\u00ed, la pintura de Ripoll no cerca representar el m\u00f3n, sin\u00f3 generar espais on sigui possible la contemplaci\u00f3 i la reflexi\u00f3, on el gest pict\u00f2ric es converteixi en una forma de resist\u00e8ncia subtil davant del soroll exterior. Mapes que no volen guiar-nos, sin\u00f3 convidar-nos a perdre\u2019ns.<\/p>\n\n\n\n<p>M\u00e0rius Domingo, comissari del cicle.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><a id=\"_ftn1\" href=\"#_ftnref1\">[1]<\/a> Mark Rothko:\u00a0<em>Escritos sobre arte (1934-1969)<\/em>. Miguel L\u00f3pez-Remiro (ed.), traducci\u00f3 de Jes\u00fas Carrillo y Eduardo Garc\u00eda. Barcelona: Paid\u00f3s, 2007<\/p>\n\n\n\n<p><a href=\"#_ftnref2\" id=\"_ftn2\">[2]<\/a> Jorge Luis Marzo: <em>La curva, patolog\u00edas gr\u00e1ficas<\/em>. Madrid: C\u00e1tedra, 2024.<\/p>\n\n\n\n<p>[Maria Jos\u00e9 Ripoll | \u00abHortus conclusus\u00bb][ \u00abUn altre lloc\u00bb<strong>\u00a0<\/strong>Cicle d\u2019exposicions al C\u00edrcol de Reus 2025][del 13 de juny de 2025 \u2013 28 de juliol de 2025]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La pintura de Maria Jos\u00e9 Ripoll s&#8217;articula com una arqueologia del paisatge interior. La seva obra, feta de l\u00ednies precises i camps de color que s\u2019articulen amb composicions geom\u00e8triques austeres, es desplega com si fossin mapes d\u2019un territori oblidat, o potser d\u2019un territori que encara no existeix. Cartografies imagin\u00e0ries que, sota l\u2019aparen\u00e7a de l\u2019ordre, amaguen&#8230;<\/p>\n","protected":false},"author":3,"featured_media":18548,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37,19],"tags":[],"_links":{"self":[{"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/posts\/18547"}],"collection":[{"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18547"}],"version-history":[{"count":2,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/posts\/18547\/revisions"}],"predecessor-version":[{"id":18551,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/posts\/18547\/revisions\/18551"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/media\/18548"}],"wp:attachment":[{"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}