{"id":18582,"date":"2025-07-27T11:14:43","date_gmt":"2025-07-27T10:14:43","guid":{"rendered":"https:\/\/www.mariusdomingo.com\/altacapa\/?p=18582"},"modified":"2025-07-27T11:14:45","modified_gmt":"2025-07-27T10:14:45","slug":"ester-ferrando-inventar___iar-la-vida-que-no-passa","status":"publish","type":"post","link":"https:\/\/www.mariusdomingo.com\/altacapa\/?p=18582","title":{"rendered":"Ester Ferrando | \u00abInventar___iar. La vida que no passa\u00bb"},"content":{"rendered":"\n<p><strong>M\u00e8dol Centre d\u2019Arts Contempor\u00e0nies de Tarragona. Del 5 de juny al 24 d\u2019agost de 2025.<\/strong><\/p>\n\n\n\n<p>Potser una de les claus de la s\u00f2lida proposta d\u2019Ester Ferrando par a M\u00e8dol, \u00e9s la intervenci\u00f3 realitzada sobre el mur de la tercera sala, consistent a obrir una porta per poder veure qu\u00e8 hi ha darrere la paret, una acci\u00f3 que l\u2019artista ha situat al final de la intervenci\u00f3 titulada <em>Quan les llum enceguen<\/em>. Qu\u00e8 hi veiem a trav\u00e9s d\u2019aquesta obertura? Les plaques de guix laminat que recobreixen la sala, el mur de maons estructurals de l\u2019edifici, cadires i bastides emmagatzemades, fustes diverses, una finestra tancada, l\u2019ancoratge de les pr\u00f2pies plaques. Tot plegat convida a una reflexi\u00f3 \u2014amb una ironia subtil o si voleu un punt de mala llet\u2014 absolutament necess\u00e0ria per fer-nos pensar en qu\u00e8 hi ha darrere d\u2019una exposici\u00f3 que, en alguns moments, podria semblar excessivament complaent.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"1066\" src=\"https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/IMG_4201-700x1066.jpg\" alt=\"\" class=\"wp-image-18585\" style=\"width:481px;height:auto\" srcset=\"https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/IMG_4201-700x1066.jpg 700w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/IMG_4201-197x300.jpg 197w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/IMG_4201-768x1169.jpg 768w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/IMG_4201-1009x1536.jpg 1009w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/IMG_4201-800x1218.jpg 800w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/IMG_4201.jpg 1041w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Per trobar un gest amb una c\u00e0rrega conceptual similar m\u2019agradaria remuntar-me a l\u2019any 2013, quan una artista de la mateixa generaci\u00f3 que Ferrando, Dora Garc\u00eda, presentava <em>The Green Door<\/em> a la galeria ProjecteSD. En l\u2019espai que li havien assignat \u2014un rac\u00f3 habitualment sense \u00fas, ocupat sovint per un paraig\u00fcer\u2014, Dora Garc\u00eda hi col\u00b7locava una porta verda de fusta corrent, destinada a no conduir enlloc, a romandre tancada. El valor d\u2019aquella porta no residia en ella mateixa, sin\u00f3 en all\u00f2 que amagava, en el que hi havia al darrere.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"856\" src=\"https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/IMG_5475-700x856.jpg\" alt=\"\" class=\"wp-image-18584\" style=\"width:364px;height:auto\" srcset=\"https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/IMG_5475-700x856.jpg 700w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/IMG_5475-245x300.jpg 245w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/IMG_5475-768x939.jpg 768w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/IMG_5475-800x978.jpg 800w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/IMG_5475.jpg 1170w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Qu\u00e8 era, aix\u00f2 que quedava ocult, en la pe\u00e7a de Dora Garcia i que Ester Ferrando ens vol ensenyar amb la seva intervenci\u00f3? Potser aquell rac\u00f3 inaccessible que desitjar\u00edem explorar nom\u00e9s pel fet de no ser-hi convidats; potser les associacions que evocava: algunes evidents \u2014<em>Behind The Green Door<\/em> (1972), dels germans Mitchell\u2014, d\u2019altres menys \u2014<em>The Green Door<\/em> (1906), d\u2019O. Henry; <em>The Door in the Wall<\/em> (1911), de H.G. Wells; <em>Green Door<\/em> (1956), de Jim Lowe\u2014, i d\u2019altres que entren en el terreny de la pura conjectura. S\u00ed, soc conscient que alg\u00fa podria rebatre-ho: veiem que hi ha darrere de la paret, darrere de les aparences, per\u00f2 dubtem. El mateix que ens passa quan recorrem la sala envoltats de finestres transl\u00facides en un simulacre de passejada nocturna pels carrers d\u2019una ciutat i observem les finestres tancades dels ve\u00efnat. La nostra atenci\u00f3 es concentra en all\u00f2 que no v\u00e8iem. All\u00f2 que queda ocult sota m\u00faltiples \u201ccapes d\u2019invisibilitat\u201d, en paraules de Maria Teresa Mu\u00f1oz (en <em>Escritos sobre la invisibilidad. Arquitectura y ocultaci\u00f3n<\/em>, Abada, 2018).<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"480\" src=\"https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/IMG_4207.jpg\" alt=\"\" class=\"wp-image-18586\" srcset=\"https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/IMG_4207.jpg 640w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/IMG_4207-300x225.jpg 300w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/IMG_4207-80x60.jpg 80w\" sizes=\"(max-width: 640px) 100vw, 640px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Tanmateix, la curiositat de l\u2019espectador t\u00e9 un l\u00edmit: aviat dona pas a records personals, associats a la necessitat de preservar un espai \u00edntim, un lloc propi on la mem\u00f2ria \u2014reflectida en la d\u2019Ester Ferrando\u2014 retroba objectes oblidats o deliberadament arraconats. Rampoines sense valor aparent, in\u00fatils per als altres, per\u00f2 carregades de significat per a qui les conserva. Com aquell Rosebud de <em>Ciutad\u00e0 Kane<\/em> que ens evoca Joana Hurtado, curadora de l\u2019exposici\u00f3, en el seu text: s\u00edmbol d\u2019all\u00f2 fr\u00e0gil i valu\u00f3s que pot desapar\u00e8ixer f\u00e0cilment. S\u00f3n coses que nom\u00e9s nosaltres sabem estimar, i que \u2014com la c\u00e8lebre escena de <em>Blade Runner<\/em>\u2014 corren el risc de perdre\u2019s per sempre&#8230; \u00abcom ll\u00e0grimes en la pluja\u00bb.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"934\" src=\"https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/unnamed-1-700x934.jpg\" alt=\"\" class=\"wp-image-18587\" style=\"width:418px;height:auto\" srcset=\"https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/unnamed-1-700x934.jpg 700w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/unnamed-1-225x300.jpg 225w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/unnamed-1-768x1025.jpg 768w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/unnamed-1-1151x1536.jpg 1151w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/unnamed-1-1535x2048.jpg 1535w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/unnamed-1-800x1067.jpg 800w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/unnamed-1-scaled.jpg 1919w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Conv\u00e9 retenir-ho a la mem\u00f2ria, repetint-ho una vegada i una altra en veu alta, com la brillant pe\u00e7a <em>Per recordar<\/em>, mentre les llums i les veus s\u2019escolen per les parets i ens deixen entreveure alguna cosa del que realment va passar, del que hi ha rere els nostres records \u2014o potser dels nostres somnis?\u2014, que, com a la caverna de Plat\u00f3, no s\u00f3n sin\u00f3 un reflex de la realitat. M\u00e0rius Domingo [Artiga 44].<\/p>\n","protected":false},"excerpt":{"rendered":"<p>M\u00e8dol Centre d\u2019Arts Contempor\u00e0nies de Tarragona. Del 5 de juny al 24 d\u2019agost de 2025. Potser una de les claus de la s\u00f2lida proposta d\u2019Ester Ferrando par a M\u00e8dol, \u00e9s la intervenci\u00f3 realitzada sobre el mur de la tercera sala, consistent a obrir una porta per poder veure qu\u00e8 hi ha darrere la paret, una&#8230;<\/p>\n","protected":false},"author":3,"featured_media":18583,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[120,30,19],"tags":[],"_links":{"self":[{"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/posts\/18582"}],"collection":[{"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18582"}],"version-history":[{"count":1,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/posts\/18582\/revisions"}],"predecessor-version":[{"id":18588,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/posts\/18582\/revisions\/18588"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/media\/18583"}],"wp:attachment":[{"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18582"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18582"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}