{"id":18759,"date":"2026-04-17T11:40:00","date_gmt":"2026-04-17T10:40:00","guid":{"rendered":"https:\/\/www.mariusdomingo.com\/altacapa\/?p=18759"},"modified":"2026-06-14T11:48:46","modified_gmt":"2026-06-14T10:48:46","slug":"josep-salmeron-la-pareidolia-del-prosopagnosic","status":"publish","type":"post","link":"https:\/\/www.mariusdomingo.com\/altacapa\/?p=18759","title":{"rendered":"Josep Salmeron | La pareidolia del prosopagn\u00f2sic"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"1050\" src=\"https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/ARILUCENA-@luzzari__-111-700x1050.jpg\" alt=\"\" class=\"wp-image-18761\" style=\"width:414px;height:auto\" srcset=\"https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/ARILUCENA-@luzzari__-111-700x1050.jpg 700w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/ARILUCENA-@luzzari__-111-200x300.jpg 200w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/ARILUCENA-@luzzari__-111-768x1152.jpg 768w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/ARILUCENA-@luzzari__-111-1024x1536.jpg 1024w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/ARILUCENA-@luzzari__-111-1365x2048.jpg 1365w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/ARILUCENA-@luzzari__-111-800x1200.jpg 800w, https:\/\/www.mariusdomingo.com\/altacapa\/img_blog\/ARILUCENA-@luzzari__-111-scaled.jpg 1706w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/figure>\n\n\n\n<p><strong><em>La for\u00e7a del r\u00e0cord<\/em><\/strong><\/p>\n\n\n\n<p>L\u2019obra de Josep Salmeron s\u2019articula com una seq\u00fc\u00e8ncia pict\u00f2rica que desplega, com al cinema, un r\u00e0cord de gestos, colors i silencis. Cada pe\u00e7a \u00e9s un pla; el conjunt, una continu\u00eftat que respira a trav\u00e9s de petites disson\u00e0ncies que activen la mirada. Aquest teixit seq\u00fcencial no \u00e9s jer\u00e0rquic, sin\u00f3 rizom\u00e0tic: formes que reapareixen, variacions m\u00ednimes, petges de capes esborrades que funcionen com palimpsests d\u2019una mem\u00f2ria en proc\u00e9s. La pintura emergeix aix\u00ed com un espai existencial on la indefinici\u00f3 obre significats i on la pinzellada final concentra una tensi\u00f3 que uneix el que \u00e9s visible amb all\u00f2 que resta fora de camp.<\/p>\n\n\n\n<p>Des del recolliment quasi anacor\u00e8tic del taller, Salmeron observa el moviment lent de les coses \u2014el creixement vegetal, la densitat del color, la fatiga del cos\u2014 i converteix el gest en forma de pensament. Davant la uniformitat tecnol\u00f2gica del present, la seva obra reivindica la difer\u00e8ncia, el local, la lentitud i el l\u00edmit com a lloc on l\u2019art continua sent irrenunciablement hum\u00e0. La pareidolia i la prosopagn\u00f2sia, conceptes que es mouen entre el reconeixement i la p\u00e8rdua de rostre, actuen aqu\u00ed com a met\u00e0fores de la percepci\u00f3: veure el que no hi \u00e9s, no recon\u00e8ixer el que tenim davant.<\/p>\n\n\n\n<p>M\u00e0rius Domingo, comissari de l&#8217;exposici\u00f3<\/p>\n\n\n\n<p>[M\u00e8dol \u2013 Centre d&#8217;Arts Contempor\u00e0nies de Tarragona] [Del 17 d\u2019abril al 24 de maig de 2026]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La for\u00e7a del r\u00e0cord L\u2019obra de Josep Salmeron s\u2019articula com una seq\u00fc\u00e8ncia pict\u00f2rica que desplega, com al cinema, un r\u00e0cord de gestos, colors i silencis. Cada pe\u00e7a \u00e9s un pla; el conjunt, una continu\u00eftat que respira a trav\u00e9s de petites disson\u00e0ncies que activen la mirada. Aquest teixit seq\u00fcencial no \u00e9s jer\u00e0rquic, sin\u00f3 rizom\u00e0tic: formes que&#8230;<\/p>\n","protected":false},"author":3,"featured_media":18760,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37,48,19],"tags":[],"_links":{"self":[{"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/posts\/18759"}],"collection":[{"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=18759"}],"version-history":[{"count":1,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/posts\/18759\/revisions"}],"predecessor-version":[{"id":18762,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/posts\/18759\/revisions\/18762"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=\/wp\/v2\/media\/18760"}],"wp:attachment":[{"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=18759"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=18759"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mariusdomingo.com\/altacapa\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=18759"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}